Mike Hinge - Resume 1

Todays post is of Mike Hinge's resume from the late 60's circa 1966/67, earliest entry from 1958. Thank you very much to Sanford Meschkow for keeping this resume safely all these years and to Matt Howarth for scanning and emailing them to me (there are also 5 more resumes from Sandford's files that I will share shortly). 


I have re-typed the resume and have also included the original scans. 


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RESUME

Name:       Mike Hinge

Address:   55 West 14^th Street, New York, New York (Apt. 14-M)

Telephone:  243-6939

EXPERIENCE

October 1966 – Present

  Experimental fine art –

       Light Sculptures

       16mm color movie

July 1966 – October 1966

YOUNG & RUBICAM, INC. – 285 Madison Avenue – New York, N.Y.

(Alan Thompson, Department Head)

Art Director (Freelance)

Eastern Airlines, Mexico Magnifico – conceptual designs

and presentations. Exhibit design, posters, displays,

corporate design, mailing pieces.

Gulf Oil California – 24-Sheet poster concepts, envelope stuffers, pamphlets

General Electric Co. – exhibit displays

Keebler – supermarket booth

General Foods – brochure

Plymouth – newspaper ads: full page, color, black & white, double truck. Showroom and institutional exhibit.

August 1965 – March 1966

THE FELDMAN COMPANY – 612 S. Wall Street – Los Angeles, Calif.

Designers and Manufacturers of Lighting Fixtures and Lamps

(Ed Fizdale, Chief Engineer)

Product Designer-Illustrator

  Catalog illustration: 3-point perspective (measuring)

Product design: Lighting fixtures, lamps, chandeliers

Drafting: Shop drawings, blueprint parts assembly

March 1964 – August 1965

FREELANCE–Mike Hinge–739 X. Hudson Ave.–Los Angeles, Calif.

Fashion layout, graphic design, P.O.P., type mark-up,

brochures, mailers, strip-in-separations

May 1963 – October 1963

BRAND-WORTH SIGNING & Graphics, STORE INTERIORS

16221 S. Maple – Gardenia, Calif.

(Gene Wild, Art Director)

Designer

  Dimensional design: supermarket and store graphics

  Store interiors: color and material selection

  Perspective, mural

November 1962 – February 1963

REPRISE RECORDS, INC.

(Merle Shore, Art Director)

  Record cover design and ideas

March 1961 – May 1961

CLIFFORD GILL ADVERTISING AGENCY

8701 Wilshire Blvd. – Beverly Hills, Calif.

(Cliford Gill, Pres.)

Art Director (Freelance)

  Space advertising brochures

January 1961 – March 1961

NIDES-CINI ADVERTISING AGENCY - 8201 Beverly Blvd. Los Angeles Calif.

(Jack Nides, Pres./Zelda Cini, Vice Pres.)

Art Director

  Presentation design, type mark-up, separations

July 1960 – December 1960

HERALD EXPRESS (EXAMINER) – 1111 S. Broadway – Los Angeles, Calif.

Promotion Department

Designer

  Space advertising ideas

Septemer 1959 – May 1960

MAY COMPANY – 801 S. Broadway/Hill Street – Los Angeles, Calif.

Advertising Department

(Jean Rains/Peter Daddio, Art Directors)

  Layout – institutional

ART CENTER SCHOOL OF DESIGN – 5353 W. Third St. Los Angeles, Calif.

REFERENCES

Roger Hines (Art Director, Young & Rubicam, Inc.)

One Deerfield Road

Wilton, Connecticut

Len Moffatt (Writer, Container Corporation of America)

5804 E. Gage Avenue Apt. 5

Bell Gardens, California

Gene Wild

Rober Tierney Associates (Exhibition Design)

3600 Wilshire Boulevard Suite 1930

Los Angeles, California

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Mike Hinge 80th Anniversary: Roger Hines

Below is an edited version of e-mails exchanged between Roger Hines and myself. Roger is an assemblage artist and met Mike Hinge at Art College in the 60's and has kindly shared his reminiscent stories which bring wonderful insights into Mike's early work in advertising and experimental art.

See Roger's artwork here: http://www.mindspring.com/~rogerhines/
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From: Roger Hines
Sent: 28 July 2011 22:59
To: Ivan Richards
Subject: TRIBUTE TO MIKE HINGE

Hi, I'm Roger Hines. I'm an assemblage artist and live in Manhattan.

I first met Mike in 1965 when we were attending The Art Center College of Design in Los Angeles. We also resided at the same boarding house that was run by my aunt. It was then that I became aware of Mike's fantastic work. It really inspired and influenced me as I was just beginning my art and design career. Back then, Mike was waaaaay ahead of his time. His endless child-like curiosity about everything greatly shaped his work...and others too.

Mike was a true eccentric. Really danced to his own tune. Difficult at times but he never lost his integrity. He never stopped reaching ever further into everything he touched and created.

Integrity, energy, passion, curiosity, inquiring, talented, foresighted, innocent... are but a few of the words that remind me of Mike.

Mike, Where the hell are you?...now that we REALLY need you! 


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From: Ivan Richards

Sent: Jul 29, 2011 9:02 AM

To: Roger Hines

Subject: Re: TRIBUTE TO MIKE HINGE

Hi Roger

Thank you for your email it's great to hear from you. I'm so pleased to be hearing from friends of Mike or FOMs (as Sandy put it). I checked out your website love your "rooms of the mind".

You met Mike very early on I would be facinated to hear about the teaching of The Art Center College of Design. Apparently Mike choose the college specially when in New Zealand because a draughtsman he worked alongside had studied there. Was there a particular teacher that might have had an influence or books studied?

Your Aunt's boarding house might have been a fun place to be, i can't help thinking of your rooms of the mind! I guess you had some good nights out and interesting conversations. Mike would have been a little older than you but still young, do you remember seeing any bands with him around about that time and art shows. I have a feeling that Mike was interested in a lot of things and would have made use of that "energy, passion and curiosity" I get the impression that he had a wide interest in art and would have liked had been more involved in the fine art world as well as being an illustrator, I haven't seen any of his kinetic sculptures but I'd really hope to see one or two one day and know more about the work he did for E.A.T (experiments in art and technology). As well I know he collaborated in at least a couple of short art films. I am encouraged by your description of Mike I think he is an interesting character even though having never met him.

I notice [from your website] that you were one of the "Mad Men", do you watch the tv series? Was it like that? Did you work with Mike at that time? Apparently he worked in an ad agency in Los Angeles (I don't know which one) and he was also an art director in New york and worked at a couple of Agencies BBDO & Young and Rubicam. Do you know of any ads that he did? I sometimes trawl through ebay looking through ads from the mid 60's hoping to recognise his style. I have made a few guess' not sure if I'm right or not.

If it's okay i'd like to include your tribute on my blog, for Mike's 80th birthday (August 9th).

All the very best

Ivan

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From: Roger Hines
Sent: 31 July 2011 06:38
To: Ivan Richards
Subject: Re: TRIBUTE TO MIKE HINGE

Hey, Ivan...Thanks for the reply back. I'll try to answer some of your questions:

Just who had influence on Mike at Art Center...I don't know. We were at ACS at different times. Art Center  emphasized a strong foundation in the "basics"...then to more "edgy". By then, you were really equipped to pushed to your limit.

Mike and I shared an apartment in Los Angeles for about a year or two. At the time, He was working as an art Director for the May Co., a large west coast retail chain store and another smaller agency I don't recall now.. I was just finishing up graduating Art Center. We never went out to hear bands but Mike had an amazing, vast music collection. A lot of it way out experimental electronica. One group in particular was a group from Germany...Musik Koncret from 1947. WOW! talk about ahead of it's time! He would be working on some of his stuff while I worked on homework assignments way into the night...listening to all kinds of music from his collections....AWESOME FUN!

Mike did a couple of kinetic sculptures which were pretty cool. Whatever happened to them, I don't know.  However, Mike was more of an illustrator than a fine artist, although he did have some aspirations in that direction. He mostly did illustrations to make a living. Some bordered on "fine art". He and I collaborated on a short film once, but it never reached completion.

The Mad Men series was fairly accurate. They were wild times. By around 1967, Mike and I were working in New York for Young and Rubicam. I worked in General advertising. Mike in point of purchase/sales promotion. He gave the look to the "Mexico Magnifico" campaign which you have a couple of images for.

Hope this helps. Stay close.

Peace and Light

Roger

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From: Ivan Richards

Sent: Aug 1, 2011 8:27 AM

To: Roger Hines

Subject: Re: TRIBUTE TO MIKE HINGE

Hi, Roger

I'm so in awe that you and Mike had jobs as Art Directors in the 60's so amazing, thanks to Mad men I can imagine what it might have been like. I guess that all the work produced at these ad agencies wasn't allowed to be taken out of the office and taken home for the portfolio or was it less strict? Would you and Mike have kept a portfolio of published ads? Do you remember any particular clients and ads that Mike did? (...)

(...)

Thanks for pointing out that he was the ad director at May Co, i really wasn't sure if it was an outside agency or in house.

What are the differences between General advertising and point of purchase/sales promotion? Did Mike do any tv commercials?

(...)

(...), I had been hoping one day to know more about the short film's Mike worked on. Even though not complete does any footage survive of this film? Is this filmed on 16mm color film? Was it called "City"? What did you and Mike do on this film? What was it about? I would love to see this film, I'm really hoping it still exists.

All the best

Peace and light

Ivan

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From: Roger Hines 

Sent: 02 August 2011 23:14
To: Ivan Richards
Subject: Re: TRIBUTE TO MIKE HINGE

Ivan...

When we worked for those ad agencies, we always had plenty of reprints of our work including commercials. Mike did a lot of work for Eastern Airlines when they developed the promotion "Mexico Magnifico". He did the typographic illustrations for that.

The difference between general advertising and "POP" was, general mostly consisted of TV, print ads, radio, etc. "POP" consisted of things like counter cards and displays for merchandise, kiosks, in store merchandising promotions, etc.

I'm surprised you knew about the short film Mike and I started "CITY". How did you know about that? It was never completed because Young and Rubicam transferred me to Germany. It was an animated stop motion short depicting a city building up out of brightly colored abstract shapes and blocks with wild graphics which Mike rendered. I have no way of knowing where the footage is. I believed I turned all of that over to mike. However, there is a real remote chance I may have some it stored away. (...)

Roger

Mike Hinge 119

Mike Hinge - The Carriage Trade. Approximate size 57x47cm. Date: Unknown. Unsigned.

I don't know what this might have been for? The name of a company or an album or perhaps it the name for the font? 

For the past few years I have been trying to track down the fonts that Mike designed. The Carriage Trade is perhaps not very typical (not very sci-fi) but then Mike's style is not always narrowed down to that genre. My last post had the front cover for the Lunacon 68 where it had what i'm sure is one of Mike's many typefaces, its his adaptation of a font called "Westminster" which was designed in the mid 6o's to be a machine readable typeface (Magnetic Ink Character Recognition or MICR) for the National Westminster Bank. There are many versions of this type face and I'm not sure if 1968 was the earliest time that Mike first used this but even so it is with out a doubt one of the first adaptations of Westminster. What I think makes Mike's typeface distinctive is the little tail on the end of the capital N & A and the large dot in the small i. Mike uses this font quite a lot in his work.

Another example of Mike's version of Westminster:

Android - A detail from the Mike Hinge Experience (1969-1973)

New York from about 1966 - 1969 Mike was an Art Director for Young & Rubicam and B.B.D.O (he could be in the tv series Mad Men), during this time I know that he won two awards at the 13th Annual Type Director's Club Show of 1967 (not be confused with Typography 13, by the Type Director's Club). What it was that he did for him to win two awards I don't know, I would really love to know. 

Mike produced several fonts for commercial reproduction and one of the type-houses that he worked with was a company called "Photo-Lettering Inc" or PLINC which were based in New York, established in 1936 closing in 1996. The 1000's of fonts held by PLINC have been locked away unseen and unused since, that is until now. Recently House Industries acquired the entire collection and have been taking care  of this amazing heritage and faithfully preserving the fonts, check out  PLINC's website.

At the moment there are not that many fonts on line but I am hopeful that we should see a few Hinge's sometime in the future. Here are a few fonts that I know were designed by Mike for PLINC: Hinge Computer, Electronic, Robot, Quasar, Integrated and Digital Readout. There are hopefully lots more and of those that I've listed I am not entirely sure what they look like.

Here are some more examples of Mike's typefaces below:

Monkey Wrench - From the collection of Mike Hinge's A4 photocopies date possibly late 60's

Earth Unaware (cover illustration) 1983, There's nothing to say that he designed the font as well but I think that he did and until I'm told otherwise... I remember reading somewhere that Ted White (editor of Amazing Stories, Fantastic...) said that Mike would not stop at just doing the illustration but would also want to have control on how the title was placed and would also want to design the typeface if he was allowed.

Archimedes - A detail from the Mike Hinge Experience (1969-1973)

Assignment in Tomorrow (cover illustration - printers proof) 1972.

Astarte - A detail from the Mike Hinge Experience (1969-1973)

Onyx (letterhead) -  From the collection of Mike Hinge's A4 photocopies date Unknown

No No Yes - A detail from the Mike Hinge Experience (1969-1973)

Shaggy Planet (cover illustration - printers proof) 1975.

Mexico Magnifico, Eastern Airlines, (One flyer and two tags) date unknown.

Mike Hinge (Logo) - date possibly 1980.

Tobacconist - - From the collection of Mike Hinge's A4 photocopies (traces of being touched up with tipex and pen) date unknown.

Hinge (Logo) - A detail from the Mike Hinge Experience (1969-1973)