Mike Hinge - Photograph at Lunacon possibly early 1970's

Mike Hinge - Photograph taken by Andrew Porter at Lunacon possibly early 1970's. Thanks very much for the excellent photo. Mike looks as if he's up to some mischief with that expression. Nice smart suit and snazzy wallpaper too! 

Mike Hinge - Nigel Rowe and Mike Kowalski

I was recently put in touch with Nigel Rowe who is a writer, researcher and SF fan. Nigel has written several fanzines and a book Timeless Sands - A History of Science Fiction in New Zealand and contributed to Tom Cardy's obituary for Mike. Nigel told me that he first met Mike in the early 80's and here I am publishing his email to me which include some wonderful memories of Mike. As well Nigel included this rather nifty "Lawrence of Arabia" passport photo of Mike and a very special short story  "The Quest For Mike Hinge's Boxes" by Mike Kowalski drummer of The Beach Boys on a 25th anniversary tour in New Zealand in 1984.

I really hope that we can hear those tapes one day and view some of Mike's early art. Many Thanks to you Nigel.

Mike's passport photo circa 1978.

Mike was a friend of mine who I met in New Zealand in the early 80's. He was amazed when after introducing himself as "Mike Hinge" I replied "Oh, not *the* Mike Hinge who immigrated to the States in 1958..." As a researcher and SF fan for some time I was probably one of the few people in NZ who knew who he was and his subsequent success overseas.

Over the years we kept in touch after he moved back to the East Coast. And when he unexpectedly passed away, I volunteered to take his ashes back to NZ on my next trip. And I delivered these to his brother in the rural wilds of NZ in 2004.

I subsequently bought some of his artwork from his collection as it was sold on eBay. I also own some of his original artwork from the 50's that he gifted to me when we spent a long time sorting through his original NZ possessions that had been in storage down there for the 30 odd years he had been away. I'm including here a story written about the trip to reclaim his stuff from his elderly aunt.

I also owned a bookshop for many years, and Mike helped me get it going.
Including designing the store logo, signs, and selling books when I went off to get lunch. We spent a lot of fun times together before he headed back to the States. I have several hours of him on tape talking about his early days, the Time covers and other interesting stuff that was intended for a magazine interview that never eventuated.

My one regret is that as I too moved overseas (Chicago) I had to part with some cherished possessions including the hand made wooden art drafting table he built in the 50's and left with me. Unfortunately it had too much wood borer after being in storage in humid conditions. Oh well, I enjoyed it while I could.
And it was fun seeing him draw my store logo on it, much the same as when he last used it 25 years earlier.

Enjoy the enclosed. I can't wait to check out your site! He would have been chuffed that 8 years after he shuffled off this mortal coil that people were still enthused and talking about him.

Nigel


THE
QUEST
FOR
MIKE HINGE'S
BOXES
August 1984

Mike Kowalski

We drove down through the rain and hills to Huia.

"This is just like Wellington," said Nigel as we descended. Easy to imagine the bush-clad hills covered instead with houses and winding streets, and aircraft passing through the huge gulf of air between the headlands. The windscreen on the hired station-wagon kept misting up, and it was hard to see through the heavy rain.

The blue Skoda we were following pulled over to the side. Across the road was a row of houses. We clambered out of the car, and I unfolded my umbrella.

The tide was out and the mudflats stretched out past the headlands, which were like a row of great grey spikes fading in the rain.

Mike Hinge, itinerant SF artist, hopped out of the other car and ran to the gate. The driveway was two strips of concrete but ran only from the other side of the gate. Before the gate was a stretch of spongy grass slowly puddling up with water. Mike swung the gates open, and I backed the wagon across the grass, leaving deep muddy ruts, and down the long driveway. The shed doors opened after a fair bit of pushing, and the wagon backed up half inside the garage. Mike went into the house and talked to his aunt and then came back out and showed us to the rear of the shed. The boxes were stacked to one side. They were each a metre and a half long and more than a metre high. The bases of some were damp and rotted; most had been riddled by silver-fish around the metal bands on the ends. These boxes had been sealed for twenty-five years.

We dragged them out one by one and prised them open with a crowbar and a hammer. Dust soon gathered in the rear of the shed, already festooned with cobwebs. Outside the grimy window sat a water-tank grown around with weeds. Mike com plained steadily and bitterly about relatives with no appreciation for the value of culture, as we unearthed time and again some especial treasure damaged by time and age.

The bottom-most crate was full of art material, and this had almost all perished, the most crushing blow to Mike. But three or four boxes of jazz 78's had weathered well, and a few boxes of books. Here were first editions of Arthur Clarke and others, an early Arkham Lovecraft collection, a first British edition of Foundation amidst a whole bundle of books about the saucer craze which had once occupied Auckland fandom. It was hard to guess what, if any, was valuable, but there was a lot that was very interesting. A booklet put out by the ARA (Auckland Regional Authority) in 1955 mapped out proposed changes to the public transport system, most of which still haven't got off the ground.

Finally the wagon was loaded, and the last box went into the other car, after the back seats had been taken out. The ground between the driveway and the road was very soggy by now, and the wagon heavily laden. It didn't seem likely we would be able to get out. So we carried down old planks from the box lids and placed them on the grass. Nigel drove the wagon down the drive and across the grass, managing to miss every single plank. For a moment one of the wheels slid, but he made it to the road. By this time we were all very wet, very tired.

We unloaded the boxes on Queen Street and took them up the lift to Martian Way Press. Mike shouted us dinner at the Hungry Horse. Over coffee we argued politics. It was the day of the General Election (I didn't vote, of course). Back at Nigel's office we phoned the Values Party party at Cathryn Symons' house to find the election result, and to learn that Cathryn - who had stood for election - was not destined to become New Zealand's first fannish politician.

Mike Hinge 80th Anniversary: Andrew Porter

Andrew Porter first met Mike Hinge in the early 1960s, when he moved to NYC from Los Angeles, where he'd been a student at the Art Center School [now College] of Design. Andrew Porter was the editor and publisher of ALGOL, The Magazine About Science Fiction.

For the 80th Anniversary blog posts, Andrew has contributed a photograph of Mike, some covers from Algol and Starship and a rare prelim for the cover of Mediascene of Richard Dreyfuss in the film "Close Encounters of the Third Kind".

(L-R) Fred Von Bernewitz, Mike Hinge and Ted White, (1971 Lunacon possibly). Photograph by and © Andrew Porter

Rough of the cover for MEDIASCENE, The America New Magazine of Popular Entertainment, 1977

Cover of MEDIASCENE, section two, issue 28, Nov-Dec 1977

ALGOL: THE MAGAZINE ABOUT SCIENCE FICTION, Vol. 12 No. 2, Issue No. 24, Summer 1975

Andrew recalls that this cover was designed so that there were over-runs done without the logo which when folded made great Christmas cards.

Starship, The Magazine about Science Fiction (formerly ALGOL), Vol. 17 No. 2, Whole No. 38, Spring 1980

Mike Hinge 80th Anniversary: Alex Jay

Below is an edited version of e-mails exchanged between Alex Jay and myself. Alex is an artist and was a friend and colleague of Mike Hinge and kindly shared with me some interesting facts and images which shed some light into the breadth of Mike's creative work.

http://comicbookdb.com/creator.php?ID=6724
-----------------------------------------------------------------------------------------------------------

From: Alex Jay
Sent: 27 July 2011 13:53
To: Ivan Richards
Subject: Mike Hinge Blog

Hello Ivan, 

Sandy Meschkow told me about your blog and sent your email address to me.

I've known Mike since 1978 when I met him at Neal Adams' studio, Continuity Associates, in 

New York City; Mike rented a room there. I was invited to rent a space in 1980. My background 

was graphic design so we had a lot in common. I also did a fair number of comic book logos 

which can be seen at the Comic Book Database, comicbookdb.com/creator.php?ID=6724; click 

on the link for Machine Man and you'll see where Mike's Monkey Wrench typeface came from. 

I'll say more about it in another email.

Thank you for creating a blog about Mike and his designs. Most of it I've never seen because 

he had it in storage. Regarding your post #119, I can show you Mike's designs from the 13th 

Annual Type Director's Club Show (TDC XIII) of 1967; they were part of the ad campaign for 

Mexico Magnifico.  (click on images to enlarge)

Annual TDC XIII                                          Mike Hinge's winning ad for Mexico Magnifico

On Thu, Jul 28, 2011 at 7:15 AM, Ivan Richards  wrote:

Hi Alex Thank you so much. This is fantastic information. It is really cool that you have the 13th Annual Type Director's Club Show catalogue and have scanned the pages, I would love to put the scans for blog. What a surprise, The Mexico Magnifico is familiar to me as I have two tags and a flyer with the design, I wonder if Mike got a wage raise for getting a prize? (...) All the very best Ivan

------

From: Alex Jay
Sent: 28 July 2011 19:48
To: Ivan Richards
Subject: Re: Mike Hinge Blog

Hello Ivan, 

Here are the samples of Mike's typefaces from the Alphabet Thesaurus Vol. 3, A Treasury of Letter Design by Photo-Lettering Inc., 1971.

The typefaces were identified by name and number; the number was followed by a letter.

n = normal

c = compressed (stretched north and south)

e = expanded (stretched east and west)

Most were shown in italic at a 12 degree forward slant; a few had an outline sample.

Do you have the book, The Mars One Crew Manual? It was published here by Ballantine 

Books in 1985. I designed it and hired Mike to do some technical drawings; the art credits 

are on the copyright page. He also designed the patch on the cover; the art was by 

another artist. If you can't find it, I might have an extra copy in my basement.

Onyx was represented in the periodical Design Quarterly. It's also in the basement.

Did Mike get a wage increase for his work in TDC XIII? I doubt it because his firm paid the 

entry fee, and the hanging fee for the exhibition. Most likely he got a pat on the back, a 

hearty congratulations and a copy of the award certificate.

Best,

Alex

On Mon, Aug 1, 2011 at 9:26 AM, Ivan Richards  wrote:

Hi Alex Thank you so much, a dream come true. It's really good to have the Plinc vol. 3 scans I will put them on Onyxcube blog for Mike's birthday. I had always wondered which book Mike's typefaces would be in. This book is worth a small fortune, along with your Director's Club Show catalogue. My favourites are Hinge Electronic and Hinge Quasar. The Quasar looks familiar I think that I might have an illustration in a book somewhere with this design. I'd love to see the periodical Design Quarterly with the Onyx font. Do you know of any other fonts Mike designed? Some while ago I remember seeing a font rough design on ebay and didn't make a note or copy of it, which i always do now. Yes I am lucky to already own a copy of The Mars One Crew Manual. It's very good and great design lovely and complex. There are masses of illustrations here, I wonder how long it might have taken to do? How long would it have taken for Mike to complete one of the large technical pictures? Would he have used photoraphs and traced? It is a nice book and hasn't yet been given enough attention on the web, it's on my list to post some images and info sometime soon. (...) Many thanks again All the best Ivan.

------

From: Alex Jay

Sent: 01 August 2011 20:08

To: Ivan Richards

Subject: Re: Mike Hinge Blog - thank you

Hi Ivan, 

Attached is a scan of the cover of "Design Quarterly 78/79: A Special Double Issue on 'Conceptual Architecture'"; near the top of the cover, the letter is addressed to Onyx and others; near the bottom you'll see "ONYX (pages 42-46).

On page 44 Mike was represented by his Parsec City illustration of the space vehicle flying into the wall of circuits with the title, Parsec City, is in the upper right corner. I'm sure you've seen this illustration. On page 46 all four members of Onyx were represented; Mike's design is in the top right. This issue of DQ was perfect bound or square back; I did not want to crack the spine to get a better scan of Mike's design. I have no information on the other three members of Onyx, who had some background or interest in architecture. I'm not aware of a font, by Mike, called Onyx.

In the next email, I'll write more about the Mars One Crew Manual and related graphics.

Best,

Alex

From: Ivan Richards

Subject: Re: Mike Hinge Blog - Onyx group

To: Alex Jay

Date: Tuesday, 2 August, 2011, 13:20

Hi Alex,

Thank you very much, this Onyx group is very interesting. It is the first I have heard of it. Initially I thought you meant that Onyx was a typeface as I have a letterhead in my collection that has ONYX in an unusual green font and then a New York address, it's posted in my blog 119. I have made a quick search of the other members of Onyx but I think it will need a finer search to find them all. I wonder what other projects Onyx were involved with and if they had a manifesto, (...)

(...)

All the best

Ivan.

------

From: Alex Jay [mailto:alexjay10@gmail.com] 

Sent: 02 August 2011 03:18
To: Ivan Richards
Subject: Mars One

Hi Ivan, 

As I mentioned in an earlier email, Mike designed the Mars One patch which was rendered by another illustrator. 

Attached are the alternate patch designs plus unused logos. Many of the logos were influenced by other fonts, 

which he incorporated into the name. There were some exciting-looking logos but the editor and marketing head 

at Ballantine Books wanted the cover to have some resemblance to the Space Shuttle book which was by the 

same author. The Ballantine art director made the font selection for the cover.

The author supplied the technical drawings and most were used, as is, in the book. (There is a full-page photo 

of the author, dressed in uniform, in the book. I cut out a press-proof of the patch and taped it to his uniform.) In 

some cases the drawings needed to be modified and there's where Mike came in. I'd explain to Mike what the

 author wanted in the new drawing and then we would go over the reference material and discuss what to do. He 

took the material and returned in a few days or so with the finished illustrations. This was done over a period of 

about four weeks.

I have a few photos of Mike, from November 2002, to share with you in the next email.

Best,

Alex

From: Ivan Richards
Sent: 03 August 2011 13:21
To: Alex Jay
Subject: Re: FW: Mars One

Hi Alex

Thank you very much, I wanted to first re look at my copy of Mars One, before replying. I had a good look again last night and have the copy here with me. It is such a clearly laid out book and with excellent notes crediting the art work. It has some great technical drawing from Mike (and you) with the occasional noticible Hinge style. With all the technical detail it might have been a joy for mike to do, there's a nice illo of a communication station 2.5.1 that has some buttons which he's used in other illustrations which is a nice continuity. The main computer console 6.1.1 looks amazing. Understandably the project didn't call for stylised drawings pity as i think it would be even more stunning. The drawings are they drawn large do the originals still exist?(...)

(...)

I look forward very much to seeing the photos of Mike.

All the very best

Ivan.

------

From: Alex Jay

Date: Thu, Aug 4, 2011 at 1:49 AM

Subject: Re: FW: Mars One

To: Ivan Richards

Hi Ivan,

Photostats were made of Mike's original art. These photostats or line positives were pasted, along with the photo-typesetting of the text, on the mechanical. (These are terms from the pre-didgital age.) The original art was returned to Mike who always made a point of getting his art returned. I assume Mike stored the Mars One art with his other art. On this project I believe he did a few alternate drawings.

Back in November 2002, I invited Mike to spend the Thanksgiving weekend with my family, in-laws and my wife's relatives. I hadn't seen him for a few years so it was good to see him again. Actually, the last time I saw him was at my wedding back  in 1994. The next day we travelled around the city; he always loved New York City and missed it very much. There are three photos of him at the World Financial Center which was across the street from what was the World Trade Center, which was now a construction pit. This was 14 months after the September 11 attack. In the photo of the palm trees, Mike is standing in front of the second row from the left. Debris from the Trade Center towers crashed through the atrium and badly damaged the area where Mike and the trees are standing. This area was rebuilt in about a year. The other two photos of Mike shows him standing in front of the large glass windows. At the time, this location offered the best view of the World Trade Center construction pit. The tall slender building next to Mike is a hotel which is on the east of the Trade Center. If I recall correctly, we went to the East Village and had lunch at an Indian restaurant, one of Mike's favorite cuisines.

The other group of photos were shot at the 42nd Street subway station at Times Square. Mike is standing under pop artist Roy Lichtenstein's mural. You can read more about it here, www.mta.info/mta/aft/permanentart/permart.html?agency=nyct&line=A&station=5&artist=1

(...)  From the subway we walked to the street level and on to the bus station.

At the bus station we said our good-byes and that was the last time I saw him. Later, we talked a few times on the phone; one conversation was about a portrait he was working on of my wife. Then, in August 2003 I got a call from Larry Hama, who got a message from Jim Steranko, who was notified by Sandy Meschkow, about Mike's sudden passing.

Lastly, regarding the ONYX letterhead, I don't know if it was for Mike or the group. Mike told me he lived in the Chelsea neighbourhood which is on the west side of Manhattan. The address on the letterhead is an east side location.

Hope you enjoy the photos.

Best,

Alex